Most houses have one or two lines that define them from the street. On a brick colonial it is the pair of front gables and the long eave between them. On a Tudor it is the steep front-facing gable, often with a second, smaller one tucked beside the entry. On a Craftsman bungalow it is the low, wide porch roof and the brackets under it. Our first job is to find those lines and decide which of them carry light, because tracing every edge of a complicated roof rarely looks better than tracing the right three.
From there the decisions get specific. Bulb size sets the scale: C9 bulbs read as bold and traditional on a tall two-story, C7s suit a cottage or a porch roof seen up close, and mini lights belong on trees, shrubs, and garland. Spacing sets the rhythm, and a steady twelve inches on a gable looks calm where uneven gaps look homemade. Color temperature sets the mood. Warm white, around 2700K, sits comfortably against red brick and painted trim, and our warm-white roofline page explains why it is our default on most older houses. Cool white and multicolor are there when the house or the family calls for them.
Then we look past the roof. A single trunk wrapped tight to its first fork can do more for a front yard than a dozen stakes in the lawn, and our trees and landscape service covers how we pick which ones. Doors and windows are the other half of the composition, handled on the wreaths and garland page. A plan that balances roofline, trees, and greenery reads as one design rather than three purchases.
Everything goes up with clips and wraps. Shingle clips, gutter clips, and tension wraps hold the strands, and nothing is stapled, nailed, or screwed into the house. We set a timer before we leave, handle dark sections during the season when you text us a photo, and come back in January for takedown and storage.